MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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‘Who are the real criminals?’
An insightful exploration of an unexplored world of rap and its many contradictions impresses MAYER WAKEFIELD
'When will it end?'
[HighRise Entertainment UK Drill Project] 
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
UK Drill Project
Barbican Pit
FROM the furore surrounding the emergence of NWA (Niggaz Wit Attitudes) and gangsta rap in the mid ’90s to the effective banning of grime nights under Met Police 696 risk assessment forms here in Britain, the repressive criminalisation of rap music is nothing new.
But perhaps it has never been as extreme as the ongoing clampdown on drill music, which is explored with high octane, comic-book energy in HighRise Entertainment’s latest production.
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