WILL STONE fact-checks the colourful life of Ozzy Osbourne
‘Who are the real criminals?’
An insightful exploration of an unexplored world of rap and its many contradictions impresses MAYER WAKEFIELD
'When will it end?'
[HighRise Entertainment UK Drill Project] 
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
UK Drill Project
Barbican Pit
FROM the furore surrounding the emergence of NWA (Niggaz Wit Attitudes) and gangsta rap in the mid ’90s to the effective banning of grime nights under Met Police 696 risk assessment forms here in Britain, the repressive criminalisation of rap music is nothing new.
But perhaps it has never been as extreme as the ongoing clampdown on drill music, which is explored with high octane, comic-book energy in HighRise Entertainment’s latest production.
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