MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge

The Unreturning
Theatre Royal, Stratford East
THIS intricately designed poetic drama, weaving together the narratives of three war victims, has all the hallmarks of director Neil Bettles’s work with Frantic Assembly.
Staged around a revolving, shape-shifting shipping container, skilful choreography and synchronised movement blend the tortured experiences of a first world war shell-shocked soldier, a contemporary disgraced Camp Bastion squaddie and a refugee from a martially governed futuristic dystopia who are all attempting to return to their northern British homes and regain something of the past.
Along with former trainees of Frantic Assembly’s training programme Ignition, Bettles has transformed Anna Jordan’s play into a beautifully crafted indictment of the often-forgotten victims of war who are unable to come to terms with their traumatic experiences and the transformation of the emotional and physical landscape that awaits and belies their homecoming expectations.

SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity

SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals

SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
