Skip to main content
Regional secretary with the National Education Union
Dance Review: Victoria, Leeds Grand Theatre/Touring
Northern Ballet delivers a history lesson through the relationship between Queen Victoria and her daughter Beatrice
Ferocious: Abigail Prudames as Victoria [Emma Kauldhar]

CREATED to mark the bicentenary of Queen Victoria’s birth, this new production from Northern Ballet is very much an exercise in historiography.

It’s told through the eyes of her youngest daughter Beatrice, who in the first act examines how she was cast in the role of companion and literary executioner to her mother. In the second act, she reads pages of the queen’s diaries and in a sequences of flashbacks discovers the circumstances that moulded Victoria’s character.

Ever present, Pippa Moore’s Beatrice both observes and rewrites history through the pages she peruses and excises and, in some of the most powerful scenes, she gains self-awareness by observing her younger version, played by Miki Akuta.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
CLOSE AND INTIMATE: The pewrformance / Pic: James Glossop
Theatre review / 21 July 2025
21 July 2025

SUSAN DARLINGTON highly recommends a novel setting for a play that is a rip-roaring yarn about kindness and helping people to belong

THE MUSIC OF ABUSIVE RELATIONSHIPS: Lana Del Ray plays Anfield
Music / 1 July 2025
1 July 2025

SUSAN DARLINGTON is charmed by an arena show that crosses Great Gatsby glamour with Jane Eyre madness

tambo
Theatre review / 16 May 2025
16 May 2025

SUSAN DARLINGTON is bowled over by an outstanding play about the past, present and future of race and identity in the US

Jonathan Hanks in A Christmas Carol
Theatre Review / 23 December 2024
23 December 2024
SUSAN DARLINGTON enjoys, with minor reservations, the Northern Ballet’s revival of its 1992 classic
Similar stories
THE HOSTESS FROM HELL: Kym Marsh as Beverly with Graeme Hawl
Culture / 11 April 2025
11 April 2025
PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
DANGEROUS LIASONS: Dominique Larose and Joseph Taylor in Jan
Ballet Review / 17 March 2025
17 March 2025
SUSAN DARLINGTON applauds the translation of Jane Eyre into a ballet that preserves the drama of her formative years
CONSTRUCTIVISM FOR KIDS: Ballet Shoes at the National Theatr
Theatre Review / 9 December 2024
9 December 2024
PETER MASON is moved by a striking production of Noel Streatfeild’s enduringly popular children’s book
INNOVATION: High energy duets that are mixed with chorus lin
Ballet / 29 October 2024
29 October 2024
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition