GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Troubling times travel
SUSAN DARLINGTON recommends a gripping near-future chronicle of a city on the edge of conflict
ARTFUL ANACHRONISM: The Good Book
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
SET in Leeds “in the near future,” The Good Book tells the story of a society that's on the brink of civil war.
The first project for Slung Low’s Leeds People's Theatre, the 30-minute film continues its commitment to community engagement.
The back story, in which Queen Bear seized power a decade ago by claiming to carry the spirit of King Arthur, is told in succinct one-liners by local people.
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STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years
SUSAN DARLINGTON is bowled over by an outstanding play about the past, present and future of race and identity in the US