ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
A Very Expensive Poison
Old Vic, London
AS DRAMA, the poisoning of Russian dissident Alexander Litvinenko by the radioactive substance polonium-210 in 2006 is bound to draw the crowds.
The case was disturbing, not just because of the pain and terror for the individual but because it exposed a destabilising brand of international politics that impacts on all.
Writer Lucy Prebble, as in her earlier play Enron, again tackles a theme of huge public fascination and enormous complexity and the clarity of the story owes much of its detail to Luke Harding who wrote a book on the affair.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal



