GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Top Scot
BEN LUNN celebrates the beautiful and subversive music of Eddie McGuire
ON SONG: (L to R) On the picket line with fellow composers 1980, a strike to save the Scottish Symphony Orchestra (SSO); Eddie McGuire addresses the STUC
[edwardmcguire.com]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
YOU can learn a lot about a composer, and a person, simply from the place you first meet them. My first encounter with Eddie McGuire was at a meeting of Radical Options for Scotland and Europe in the Unite offices in Glasgow. Since then, to this day, most of my encounters with the composer have been at a protest or rally rather than in a concert hall.
Shortly after I moved to Scotland, after my years living in Vilnius, I attended a Morning Star event (although I can’t remember for the life of me which) where Keith Stoddart deployed his usual charm and curiosity and quickly discovered I was a composer. His instant response was: “In Scotland you only need to know two composers James MacMillan and Eddie McGuire.”
Two very telling signs about a composer who celebrates his 75th this year.
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