To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Top Gun
Keira Knightley is superb as the GCHQ whistleblower who breached the Official Secrets Act in the run-up to the 2003 Iraq war, says MARIA DUARTE
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Official Secrets (15)
Directed by Gavin Hood
BASED on the true story of British whistleblower Katharine Gun, who put her career and family on the line in an attempt to stop the Iraq war in 2003, this sharp political thriller still resonates loudly.
Gun, played superbly by Keira Knightley, was a Mandarin translator at GCHQ who leaked an email to The Observer in which the US spook agency the NSA asked Britain to gather intelligence — or dirt — on certain members of the UN security council to persuade them to vote in favour of the invasion of Iraq.
Sadly, Gun failed and to avoid a witch-hunt of her colleagues she confessed to her actions. She was charged with breaching the Official Secrets Act but wasn’t taken to court until a year later. In the meantime, her Turkish husband was threatened with deportation.
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