ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
ANTON Chekhov's classic play has been transported from mid-19th century Russia to 1960s Nigeria, a country in the midst of the Biafran civil war, in this captivating retelling by Inua Ellams.
His version of the three sisters are Lolo, Nne Chukwu and Udo, the Igbo daughters of the revolution who have fled Lagos to the Biafran capital Owerri in the south of Nigeria.
Mourning the loss of their father, who was apparently something of a leader for the Biafran cause, the trio romanticise about returning to Lagos while youngest Udo (Racheal Ofori), who is clearly at a loss to the point of the war, longs to find purpose in life.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
WILL STONE applauds a fine production that endures because its ever-relevant portrait of persecution
PRABHAT PATNAIK details the epochal shift of political power from Western neocolonialists to the people



