WILL STONE fact-checks the colourful life of Ozzy Osbourne

THIS disturbing Lucy Prebble play has not been seen since its debut at the Royal Court 17 years ago.
Understandable, since the subject matter is so uncomfortable that any artistic director might baulk at putting it on, and credit is due to the Orange Tree for staging a revival. It deserves full houses every night.

PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco

PETER MASON is surprised by the bleak outlook foreseen for cricket’s future by the cricketers’ bible

PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
