WILL STONE fact-checks the colourful life of Ozzy Osbourne
Stealing from the Saracens
Revelatory account of how Islamic architecture shaped Europe
IT'S A STEAL: Christopher Wren used the Saracen 'vaulting' method in his design for the dome of St Paul's Cathedral
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
Stealing from the Saracens
by Diana Darke
(Hurst and Company, £25)
WITH this book, Diana Darke will surely alter the way many look at the great European cathedrals of Notre Dame in Paris, Canterbury, Cologne or Burgos.
In highlighting that the elementary design features and construction methods of their spectacular architecture were “borrowed” lock, stock and barrel from Islam at the time of the Crusades, Darke opens our eyes to evidence of a colossal cultural cross-fertilisation.
Imitation may be the sincerest form of flattery, albeit with the proviso that it is accompanied by an acknowledgement of provenance. Yet recognition of this wholesale architectural borrowing in the West seems conspicuously absent in more recent times.
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