MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Spider-Man: Far From Home
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
Spider-Man: Far From Home (12A)
Directed by Jon Watts
AFTER the emotional roller-coaster ride that was Avengers: End Game, this new lighter-hearted Spider-Man sequel is fun entertainment.
It provides a recap at the beginning to the events in the last Avengers film, with a hilarious over-the-top “in memoriam” montage and an explanation as to how people disappeared and then reappeared without warning five years later in what was dubbed “the blip.”
It sets the tone for what follows, with Peter Parker (Tom Holland) — reeling from the loss of his mentor and father figure Tony Stark — deciding to take a break from his superhero duties and go on a school trip to Europe.
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