MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long

Strange Fruit
Bush Theatre London
FOLLOWING a superb revival of Winsome Pinnock’s Leave Taking last summer, the Bush Theatre continue their Passing the Baton initiative by staging this debut work by Kittitian-British writer Caryl Phillips.
Now better known as a novelist, Phillips was just 21 when Strange Fruit was first produced at the Sheffield Crucible in 1979. For someone of such youth it is a flawed yet remarkable work, as is Nancy Medina’s current production.
As you enter the theatre through the beaded doorway, you encounter Max Johns’s design incorporating all the classic features of a traditional West Indian sitting room — a ceramic pineapple, a stack of records, a portrait of the queen.

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