Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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The sonic heaven of Dalston
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Anthropology Band
Cafe Oto
★★★★
Paul G Smyth, John Edwards and Mark Sanders
Vortex
★★★★
DALSTON, east London, was the epicentre of free musical marvels last week.
At Cafe Oto the Anthropology Band showed how wondrously electric and acoustic sounds can gel so creatively and with such acerbic unity.
Martin Archer’s searing soprano and guttural tenor saxophone; Pat Thomas’s nonplussing keyboards; the combined electric guitars of Chris Sharkey and Anton Hunter; Dave Sturt’s pulsating bass guitar: Orphy Robinson’s pounding mallets: the cascades of Adam Farclough’s drums and the visceral, breathy vibrato of the trumpet and flugelhorn of Charlotte Keeffe. It was a timbral stew to be earnestly savoured.
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