GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Something special out of nothing
Innovative presence on the British jazz scene BINKER GOLDING talks to Chris Searle about his new album
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
NORTH Londoner Binker Golding’s early love for music had a somewhat serendipitous beginning. “I was initially interested in playing guitar but it was forbidden by my parents because of its association with rock music which I was, and am, heavily into,” the north Londoner tells me.
“At the local music school they only had space for a saxophone or violin student. So I chose saxophone out of a process of elimination.”
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