ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
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Something special out of nothing
Innovative presence on the British jazz scene BINKER GOLDING talks to Chris Searle about his new album
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
NORTH Londoner Binker Golding’s early love for music had a somewhat serendipitous beginning. “I was initially interested in playing guitar but it was forbidden by my parents because of its association with rock music which I was, and am, heavily into,” the north Londoner tells me.
“At the local music school they only had space for a saxophone or violin student. So I chose saxophone out of a process of elimination.”
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