GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Shipping out
MIKE QUILLE recommends an exhibition of Chris Killip’s stunning images of shipbuilding on the Tyne and its ultimate demise
End of Shift. Given by the artist in honour of all the shipyard workers of Tyneside
[© Chris Killip]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
The Last Ships
Laing Art Gallery, Newcastle-upon-Tyne
THE LAST Ships exhibition of photographs taken by Chris Killip over just three years captures the awe-inspiring scale and beauty of the shipbuilding industry on Tyneside in the 1970s.
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MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright
ANGUS REID calls for artists and curators to play their part with political and historical responsibility