Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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The shaper of jazz to come
CHRIS SEARLE recommends a book on Ornette Coleman, one of the great musical innovators of the 20th century
'AS MANY UNISONS AS STARS IN THE SKY’: Ornette Coleman
[Pic JP Roche/Creative Commons]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Ornette Coleman: The Territory and the Adventure
by Maria Golia,
(Reaktion Books, £16)
“HOW do you try to turn emotion into knowledge? That’s what I try to do with my horn.” Thus was the testimony of the revolutionary alto saxophonist Ornette Coleman.
He was born in Fort Worth, Texas, in 1930, and the titles of his early albums reveal his intentions and musical trajectory: Change of the Century, The Shape of Jazz to Come, Tomorrow Is the Question, Free Jazz.
These were epochal recordings with fellow musical subversives such as trumpeter Don Cherry, bassist Charlie Haden, drummers Billy Higgins and Ed Blackwell.
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