To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Shakespeare rejuvenated by skate park ride
by Mike Aiken
EXTENDING DILEMMAS: Juliet (Miranda Mufema) and Romeo (Marlon Read)
[Tom Eames]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Romeo & Juliet
Windmill Young Actors
Hollingdean Skate Park, Brighton
THIS production of Romeo and Juliet provides a new take on Shakespeare’s famous tragedy.
It remains faithful to the tale of romance and love across two rival tribes: the Montagues and Capulets. But this is no conventional drama.
First, the play is performed in a skatepark on a peripheral estate at Brighton's northern edge.
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GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship