WILL STONE fact-checks the colourful life of Ozzy Osbourne
For The Sake Of Argument, Bridewell Theatre London
Flawed but worthy attempt to unpick arguments over Iraq war
GRIEVING: Paula Cassina in For the Sake of Argument
[Charles Flint] 
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
IN FOR the Sake of Argument, members of a combative debating club held in a rundown pub lay into well-worn issues.
They do so merely for the sake of winning the argument and validating their own articulacy, and in charge is Eleanor (Ashleigh Cole), a fervent believer in rational disputation and an unflinching advocate for the 2003 invasion of Iraq.
Her writings persuaded a young man — an unlikely recruit — to sign up for the British army to overthrow Saddam Hussein and his tragic death in an IED blast leads his grieving mother to search out the woman whose words drove him to enlist.
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