MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Roy Ellis, 100 Club, London
Ska veteran shows that he can still whip an audience into shape
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
ROY ELLIS’S age is undisclosed but his undiminished talent is not.
With a voice unsullied by the years, the self-titled Mr Symarip — a singer and trombonist with the 1960s ska band of that name — is still going strong and at the 100 Club he entertains a loyal following eager to hear his old and new stuff.
It was Symarip’s brilliant 1969 anthem Skinhead Moonstomp that most people came to hear and it is duly provided at the end, by which time half the audience are on stage singing along vociferously.
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