Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Ridiculing courtship and the traditional battle of the sexes
SIMON PARSONS recommends an ingenious and wonderfully memorable upgrade of a classic
(L to R) Caroline Quentin as Mrs Malaprop, Peter Forbes as Anthony Absolute, Laurie Davidson as Jack Absolute and Natalie Simpson as Lydia Languish
[Brinkhoff-Moegenburg]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Jack Absolute Flies Again
National Theatre
RICHARD BEAN and Oliver Chris’s brilliant reworking of Sheridan’s Rivals cleverly moves the location from 18th-century Bath to a 1940s country estate billeted by an RAF squadron.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
PETER MASON is moved by a striking production of Noel Streatfeild’s enduringly popular children’s book