GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Latest editorial
Review of poetry by Latinx writers Carlos Andres Gomez, Eduardo C Corral and Benjamin Garcia
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
CARLOS ANDRES GOMEZ’S new poetry collection Fracture (University of Winsconsin Press, £13), winner of the Felix Pollak prize in poetry is one of the most striking poetry books by a Latinx author being published this year.
It interrogates with devastating precision and clarity Latino men’s beliefs and histories, as well as the cultural heritage and dominant messaging about masculinity.
Gomez also explores the complex issues of race and gender, aspects of fatherhood, filial love and bilingualism within the Latinx community of New York.
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