MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Theatre: Pitch-perfect Pinter
Pinter Seven: A Slight Ache and The Dumb Waiter
Harold Pinter Theatre, London
Star performances: Martin Freeman (left) and Danny Dyer
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
THIS season of Pinter’s short plays and monologues comes to a glorious finale with Pinter Seven.
The programme consists of two old favourites, written in the ’50s.
But where you might expect a pair of period pieces lovingly restored for a modern audience, you are treated to an evening of theatre at the top of its game.
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MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards
MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere
MARY CONWAY relishes two matchless performers and a masterclass in tightly focused wordplay
