Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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The real stuff of legend
TONY BURKE recommends a biography which sets the record straight on the great blues musician Robert Johnson
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
THOUGH he only made 40 recordings, US blues artist Robert Johnson’s legacy has endured for over eight decades and his songs are now part of the blues canon.
Those recordings — some were never issued and others were alternate takes — were made in 1936 and 1937, yet even with such a modest catalogue Johnson’s influence has stretched from the late 1930s to the post-war Chicago blues era of Muddy Waters, Elmore James and Howlin’ Wolf through to the 1960s, 1970s and beyond.
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ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Two new releases from Burkina Faso and Niger, one from French-based Afro Latin The Bongo Hop, and rare Mexican bootlegs