MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Rambert Triple Bill, Alhambra Theatre Bradford
Varied dance menu with agreeable aftertaste
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
“It has to be eclectic,” writes Rambert’s artistic director Benoit Swan Pouffer on the creation of this mixed programme.
“It has to feel like a buffet.” He’s achieved that objective with the company’s latest triple bill, which opens with Wayne McGregor’s PreSentient (2002).
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SUSAN DARLINGTON is disappointed by a show that aims to highlight misogyny within the police but fails to arrest the audience's attention
SUSAN DARLINGTON revels in a band that know their own continuing relevance
