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GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Rambert Triple Bill, Alhambra Theatre Bradford
Varied dance menu with agreeable aftertaste
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
“It has to be eclectic,” writes Rambert’s artistic director Benoit Swan Pouffer on the creation of this mixed programme.
“It has to feel like a buffet.” He’s achieved that objective with the company’s latest triple bill, which opens with Wayne McGregor’s PreSentient (2002).
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