Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Quentin Blake – doyen of children’s book illustrators
(L to R) Mr Magnolia by Quentin Blake and The Owl and the Pussycat by Edward Lear
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Quentin Blake: Illustrating Verse
Kirkby Gallery / House of Illustration
QUENTIN BLAKE is one of Britain’s best-loved illustrators of children’s books. His whimsical style, anarchist characters and their crazy antics have enraptured generations of children.
That said, my own daughter told me that as a child she found his illustrations “too messy, slapdash, the scribbly-looseness of it all turned me off, and all his characters seemed to have big noses, which I didn’t like.”
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BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright
KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
ALISTAIR FINDLAY welcomes a collection of essays from one of the cultural left’s most respected speakers and activists
JAN WOOLF relishes a book of poetry that deploys the energy of political struggle, rooted in post-war working class history and culture