WILL STONE fact-checks the colourful life of Ozzy Osbourne
Quentin Blake – doyen of children’s book illustrators
(L to R) Mr Magnolia by Quentin Blake and The Owl and the Pussycat by Edward Lear
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
Quentin Blake: Illustrating Verse
Kirkby Gallery / House of Illustration
QUENTIN BLAKE is one of Britain’s best-loved illustrators of children’s books. His whimsical style, anarchist characters and their crazy antics have enraptured generations of children.
That said, my own daughter told me that as a child she found his illustrations “too messy, slapdash, the scribbly-looseness of it all turned me off, and all his characters seemed to have big noses, which I didn’t like.”
More from this author
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation
JOHN GREEN applauds an excellent and accessible demonstration that the capitalist economy is the biggest threat to our existence
JOHN GREEN isn’t helped by the utopian fantasy of a New York Times bestseller that ignores class struggle and blames the so-called ’progressives’
