Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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A production that misses the mark on many levels
Political tirades, prophetic end-of-world visions, broad, sit-com style humour and trite caricatures do not blend, writes SIMON PARSONS
SPECTACULAR STORM: Owen McDonnell (Pete) in Manor
[Manuel Harlan]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Manor
Lyttelton Theatre
MIX together an insolvent, forthright lady of the manor, a drugged-up former pop star, a blind anti-feminist revisionist historian, a supposedly charismatic far-right leader, a hypochondriac slob, a radical black working-class student and her would-be detective, medically trained mother and throw in a dash of aged vicar in underpants and pink fluffy jumper and you might expect a revival of the Carry On tradition.
Put all these ingredients in a physically skewed Restoration manor house on the point of being washed away in a storm of biblical proportions and throw in a dead body and a pinch of ghostly sound effects for seasoning and expectations might slide towards gothic horror or political allegory.
Moira Buffini’s play is none of these.
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