STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Powerful tale of a wandering soul
MARIA DUARTE recommends an understated drama about a woman who loses everything and becomes a van-dwelling nomad in the American West
ON THE ROAD: Frances McDormand as Fern
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
Nomadland (12A)
Directed by Chloe Zhao
INDEPENDENT film-maker Chloe Zhao made history this week with this quietly understated but powerful drama about the little-known life of modern-day nomads in the American West, by becoming the first woman of colour and the first Asian woman to win the Academy Award for best director.
The film, which scooped three accolades at this year’s Oscars, is based on Jessica Bruder’s non-fiction book Nomadland: Surviving America in the 21st century, which Zhao adapted for the big screen.
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