MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Patty Griffin, Queen Elizabeth Hall, London
Impressive songs, old and new, from an accomplished interpreter of folk and Americana
Patty Griffin
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STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
PATTY GRIFFIN is an impressive personality.
Emotional but measured in her musical and vocal criticisms of the contemporary US, she’s thoughtful on any range of subjects, from the post-industrial travails of her home town in Maine to the admission that although she’s always loved Billie Holiday, she’s rarely been able to listen to her music because it ventures into such sad places.
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