MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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On message for December 12
Ken Loach's film on the obscenity of the gig economy is a vital reminder of what's at stake in the coming election, says MARIA DUARTE
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
Sorry We Missed You (15)
Directed by Ken Loach
AFTER his critically acclaimed I, Daniel Blake, Ken Loach shines a much-needed spotlight on Britain's exploitative zero-hours contract and gig economy in this powerful, heart-wrenching drama.
It comes shortly after his impassioned speech on BBC Question Time in which he slammed the gig economy for killing a white-van driver, for which Loach was hailed as a working-class hero by some social media users.
Penned by Paul Laverty, Loach’s long-term writing partner, Sorry We Missed You tells the story of a loving working-class family struggling to make ends meet and battling debt ever since the 2008 financial crash and the collapse of Northern Rock, which ended their dreams of owning their own home.
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