MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion

OLEANNA has a simple scenario. John holds down a comfortable academic post in a higher education establishment and is engaged in what appears to be a routine tutoring session with Carol, a seemingly innocuous female student.
He acts like he’s done this a million times and is sitting pretty — a recent promotion enabling him to buy a new upmarket house, adding to life’s sweetness.
But Carol is about to upset the apple cart. While she presents initially as a naive, struggling wannabe, a certain defiance in her tone and posture suggests a different agenda. Carol’s weapon is her identity. A female, self-proclaimed socio-economic underling, a beginner in a world of experts and with an unclear sexual proclivity, her life experience is a million miles from John’s.

MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity

MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards

MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere

MARY CONWAY relishes two matchless performers and a masterclass in tightly focused wordplay