MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
Latest editorial
Olafur Arnalds presents OPIA, Southbank Centre London
Mesmerising music from Olafur Arnalds and string supremos
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
ICELANDIC modern classical composer Olafur Arnalds is a multi-talented artist who seems to have tried his hand with most things, including drumming for metal bands and composing film scores, most famously for the ITV series Broadchurch.
His festival OPIA at the Royal Festival Hall and Queen Elizabeth Hall brings together a string of groundbreaking piano-based composers for one long night only.
One of the most compelling, Rhye, sees Canadian singer Mike Milosh team up with his track-suited pal Quincy for an entirely improvised set on two pianos, complemented by Milosh's incredible falsetto.
More from this author
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
