To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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My So-Called Selfish Life
MARIA DUARTE recommends a timely exploration of the pressures faced by women who choose not to have children
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
My So-Called Selfish Life
Directed by Therese Shechter
AS THE US Supreme Court seriously considers overturning Roe v Wade, resulting in millions of women losing their legal right to abortion, Therese Shechter’s new film dissecting the social taboo of those who choose not to become a mother comes at a most apposite time.
The documentary — the third in a trilogy by the award-winning feminist writer-director which dismantles society’s most sacred ideas about womanhood — takes a deep political dive into why someone should not be forced into bearing a child.
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