Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Nightmare in the sun
MAYER WAKEFIELD finds himself caught in the crossfire during a riveting piece of activist theatre
IS THERE AN IMPERIALIST IN THE ROOM? Davinia Hamilton in Blanket Ban
[Ali Wright]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Blanket Ban
Southwark Playhouse
BLANKET BAN is as much activism as it is theatre.
Marta Vella and Davinia Hamilton, two Maltese Londoners, have created a startling call to action for abortion rights which is funny, illuminating, a little uneven and at points devastating.
With some of the most liberal social laws in Europe, 300 days of sunshine and a “party all the time” attitude to life, the Mediterranean island of Malta is initially painted as a paradise. That illusion is quickly shattered for one member of the audience in particular — this sheepish reviewer himself — who is jokingly chastised for Britain’s 150-year colonial rule.
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MAYER WAKEFIELD laments the lack of audience interaction and social diversity in a musical drama set on London’s Underground
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers
A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump