Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Nicely nicely does it
WILL STONE revels in a brilliant, immersive revival of the 1950s musical
Cedric Neal (Nicely-Nicely Johnson) and the cast of Guys & Dolls
[Manuel Harlan]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
GUYS & DOLLS
The Bridge Theatre, London
THIS immersive revival of the classic ’50s musical Guys & Dolls knocks it out of the park.
So immersive is director Nicholas Hytner’s unique staging that you’d be forgiven for mistaking it at times for a Punchdrunk production, a forerunner of the genre.
Those with so-called “promenade” tickets are allowed to roam the stage floor at will, intermingling with the actors who portray the various gamblers, gangsters, drunks and dancers of the 1930s New York underworld.
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MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
'Witty and highly entertaining without being didactic,' writes JAN WOOLF