GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Never the twain shall meet?
LYNNE WALSH faces the ‘brilliant or bonkers’ conundrum of a simultaneous exhibition of work by Jeff Koons and Cy Twombly
POLES APART: (L to R) Cy Twombly’s Five Greek Poets and a Philosopher: ‘Sappho’ and Jeff Koons’ Diamond (Red)
[Bastian Gallery]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
Primal Gestures: Jeff Koons & Cy Twombly
Bastian Gallery
THE concept behind the juxtaposition of these two artists is either brilliant or bonkers.
The small but beautifully formed Bastian Gallery in London’s Mayfair is renowned for clever use of its space, and this show certainly supports that reputation.
Whether Jeff Koons, contrarian and devoted acolyte of capitalism, has anything in common with the work of the thoughtful and intuitive Cy Twombly is a moot point.
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