Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
Latest editorial
‘We really do live in a global village’
JOHN McLAUGHLIN talks to Chris Searle about the sense of internationalism that's guided his life and music
Monumental music: John McLaughlin and the Mahavishnu Orchestra 2017
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
JOHN MCLAUGHLIN is one of the great pioneering jazz guitarists whose work defies any neat genre categorisation.
Born near Doncaster in 1942, he took up the guitar aged 11 and went on to play the blues with Alexis Korner, Graham Bond and Ginger Baker before moving to London and making his first classic album Extrapolations in 1969 with drummer Tony Oxley, saxophonist John Surman and bassist Brian Odges.
More from this author
CHRIS SEARLE wallows in an evening of high class improvised jazz, and recommends upcoming highlights in May
CHRIS SEARLE speaks to drummer Steve Noble
CHRIS SEARLE interviews saxophonist Chris Williams about the extraordinary electro-acoustic album LEDLEY - a bold fusion of Jazz, football, and community spirit
CHRIS SEARLE speaks to Rwanda-born jazz vocalist INEZA
