MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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Dead Can Dance
WILL STONE is mesmerised by a riveting retrospective that does justice to an eclectic and haunting 40-year history
PAUL DONOVAN recommends three new books that explore the human relationship with nature
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WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
DEAD CAN DANCE
Hammersmith Apollo
CULT goth band Dead Can Dance, spearheaded by breathtaking vocalists and founding members Lisa Gerrard and Brendan Perry, have explored a rich tapestry of many varied genres and world music instrumentation over their long and illustrious 40-year history.
Performing in front of a backdrop of autumnal leaves and colourful projections, the scene is set for a riveting retrospective that spans their back catalogue — with some songs not played live for many years.
There’s the pure goth of Mesmerism and Avatar from sophomore album Spleen and Ideal, the tribal percussion and chanting of Cantata off Within The Realm Of The Dying Sun and Black Sun from the medieval-influenced Aion.
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