Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Go Straight Round the Square
Coltrane lives on in scintillating quartet's live set
CHANNELLING COLTRANE: Paul Dunmall
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
“EACH generation finds a new way to speak of their times through music,” says prime saxophonist Paul Dunmall.
He should know. Born in south London in 1953, he grew up with a mother who loved classical music and a father who was a semi-professional drummer.
Dunmall started on clarinet aged 12 and moved on to alto saxophone a few years later “as my father thought that playing jazz might be a good option.”
Similar stories
CHRIS SEARLE speaks to saxophonist and retired NHS orthopaedic surgeon ART THEMEN
CHRIS SEARLE wallows in an evening of high class improvised jazz, and recommends upcoming highlights in May
CHRIS SEARLE speaks to drummer Steve Noble
CHRIS SEARLE speaks to British Nigerian/Jamaican pianist ROELLA OLORO