JOE GILL speaks to the Palestinian students in Gaza whose testimony is collected in a remarkable anthology
Murderous consequences, from the Outback to Massachusetts
MARY CONWAY delights in a rarely performed comedy that recalls a Britain we remember in our bones
JEAN ROBERTS appreciates the way traditional panto can be remodelled into critique of the academy schools system
MARY CONWAY is riveted by a superbly crafted glimpse into the soul of a cast-off US star
MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama
STEVE ANDREW recommends a lively and often moving guide to once vibrant spaces that have been abandoned or swept away
GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
THE VAST cattle properties of the Australian Outback is the setting for The Lost Man by Jane Harper (Little Brown, £12.99).
In empty areas the size of British counties and in burning, never-ending heat, if you wander away from your vehicle you will die. There are no landmarks, no phone reception, no shade, no water and the nearest neighbours are hours away.
Similar stories
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces
The Morning Star sorts the good eggs from the rotten scoundrels of the year
