Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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‘That moment where everything feels fine and other-worldly’
JAMES BRANDON LEWIS talks to Chris Searle about the the state he's seeking on his new album Molecular
James Brandon Lewis
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
JAMES BRANDON LEWIS is an inventive and freedom-seeking tenor saxophonist, whose surging patterns of sound resonate all through the new album Molecular he’s cut with his quartet.
From an early age, he became interested in all the jazz greats: “Parker, Coltrane, Rollins and Ornette -— I love the whole continuum,” he tells me, “I loved the emotion they provoked.
“If the music connects, then the genre doesn’t matter. I loved my hometown saxophone heroes Grover Washington and Charles Gayle and I gravitated to Joshua Redman as he was extremely popular. I was curious to know who he was checking out, which led me to Gene Ammons and countless others.”
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Chris Searle speaks to saxophonist XHOSA COLE and US tap-dancer LIBERTY STYLES
CHRIS SEARLE speaks to British Nigerian/Jamaican pianist ROELLA OLORO