GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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A memory lane like no other
Neil Hannon songwritting has withstood admirably the often cruel passage of time, writes JAMES WALSH
Neil Hannon at the Barbican aided by an orchestra and some very fine musicians
[Carmen Fishwick]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
The Divine Comedy
Barbican, London
“MAYBE it’s tonight. Maybe tomorrow night, next week, next month, next year / We’ve only time to fear”
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