Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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A memory lane like no other
Neil Hannon songwritting has withstood admirably the often cruel passage of time, writes JAMES WALSH
Neil Hannon at the Barbican aided by an orchestra and some very fine musicians
[Carmen Fishwick]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Divine Comedy
Barbican, London
“MAYBE it’s tonight. Maybe tomorrow night, next week, next month, next year / We’ve only time to fear”
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