STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Melissa Aldana Quartet, Pizza Express Soho
Chilean tribute to Mexican icon
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
AT THIS gig, Chilean tenor saxophonist Melissa Aldana, playing tunes dedicated to Mexican painter Frida Kahlo, is accompanied by Norwegian guitarist Lage Lund and an all-American rhythm section in drummer Kush Abadey and bassist Josh Ginsburg.
The drums and saxophone colloquy which opens the title number from Adana’s album Visions is unified by Abadey’s splattering, polyrhythmic drums and Aldana’s vertiginous Andean ascents and tumbling cadences.
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