To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Meet Me at Dawn, Arcola Theatre London
Moving meditation on love and loss from Zinnie Harris
Tragedy in miniature: Meet Me at Dawn
[Lidia Chrisafulli]
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
ARTISTS have been inspired by the legend of Orpheus and Eurydice since ancient Greece and Zinnie Harris has joined their ranks with a two-hander that focuses on the moment Orpheus looks back and realises the full extent of his loss.
Harris’s simple, stylish and compressed version follows two women stranded on a surreal sandbank after a boating accident. The couple approach their new, strange reality with intriguingly contrasting emotions.
Marianne Oldham’s Robyn acts as a fearful narrator and it soon becomes apparent that the reflective, echoing world where they are marooned is her troubled mindscape attempting to make sense of the present.
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GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong