WILL STONE fact-checks the colourful life of Ozzy Osbourne

THIS tale of grief and loss by Frank McGuinness opens with Sal, on a remote Irish island, telling us that she “won’t talk about my daughter” but who then proceeds, almost unknowingly, to share the devastating tale of how her daughter died at 12 years of age in what's an engrossing and emotionally affecting narrative.
Sal’s story, though delivered as a monologue, is the length of a full-blown play and as dense with detail. Though delivered solely by Angela Murray, the illusion is of vivid and red-blooded characters, as if a dozen actors were on stage.
Though Paul Lloyd’s atmospheric set, with the sand and shells of this ghostly island a spiritual home for Sal, is seemingly grounded in one place yet she nevertheless meanders elsewhere through time and space — from the bedroom with its rabbit hutch to the mortuary slab and from the media news desk to the cold, hard and unhomely house where the police come to visit.

MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play

MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy

MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play

MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow