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The Match Box, Omnibus Theatre London
Brilliant meditation on the fragility of existence from Frank McGuinness
Living flame: Angela Murray

THIS tale of grief and loss by Frank McGuinness opens with Sal, on a remote Irish island, telling us that she “won’t talk about my daughter” but who then proceeds, almost unknowingly, to share the devastating tale of how her daughter died at 12 years of age in what's an engrossing and emotionally affecting narrative.

Sal’s story, though delivered as a monologue, is the length of a full-blown play and as dense with detail. Though delivered solely by Angela Murray, the illusion is of vivid and red-blooded characters, as if a dozen actors were on stage.

Though Paul Lloyd’s atmospheric set, with the sand and shells of this ghostly island a spiritual home for Sal, is seemingly grounded in one place yet she nevertheless meanders elsewhere through time and space — from the bedroom with its rabbit hutch to the mortuary slab and from the media news desk to the cold, hard and unhomely house where the police come to visit.

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