GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Marxist notes on Music: April 18, 2023
BEN LUNN pleads for a more visionary agenda than simply resisting cuts
William Morris aged 53; The Manifesto of the Socialist League, 1884
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PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
DECISIONS have been made, things are in transit again, and on the outside, it looks like major victories have been won for musicians in Britain.
On April 13, following the pausing of the closure of the BBC Singers, it was announced the BBC is changing its forced cuts to the English BBC Orchestras.
This coincided with an announcement from English National Opera (ENO) which has secured £24 million from the Arts Council England (ACE), with the vision of potentially moving ENO to far flung regions — like Croydon.
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DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power
BEN LUNN alerts us to the creeping return of philanthropy and private patronage, and suggests alternative paths to explore
STEVE JOHNSON, CHRIS SEARLE and TONY BURKE review new releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF