Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Making the previously unknown, known
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Nicole Mitchell and Alex Hawkins
Cafe Oto
I THOUGHT I was hearing birdsong over the rooftops of Hackney last night, but it was the quivering flutesong beauty of Nicole Mitchell, coming from a musical tryst at Cafe Oto as she blew alongside the grounding piano brilliance of Alex Hawkins, creating a fusion of the sky and the Earth in the heart of London.
Mitchell, born in Syracuse, New York state, bred in San Diego, California where she learned classical flute and busked on the Pacific streets, honed her artistry with the avant garde masters of the Association of the Advancement of Creative Musicians (AACM) of Chicago, forged an empathetic internationalist duo with Oxford-born Hawkins.
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Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
CHRIS SEARLE wallows in an evening of high class improvised jazz, and recommends upcoming highlights in May
CHRIS SEARLE speaks with US trumpeter NATE WOOLEY
CHRIS SEARLE translates the fusion of four jazz maestros into a mental image of Hackney Carnival