MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
HAILING from Copenhagen, this trio includes Tokyo-born Makiko Hirabayashi and veteran Danish-American percussionist Marilyn Mazur, whose array of tiny bells and miniature cymbals hang from a crossbar over her drum set and create a metallic transcendence.
Hirabayashi plucks the strings inside her piano and the rubber-souled fingers of bassist Klavs Hovman delve deep during Once Upon a Sea, their tribute to those who perished in the 2011 Fukushima tsunami.
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