Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Macbeth, Royal Exchange Theatre, Manchester
Misguided mangling of Shakespeare's darkest tragedy
Centre stage: Lucy Ellinson as Macbeth
[Johan Persson]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
WITH productions of Henry V, Romeo and Juliet, Julius Caesar and, more recently, Maxine Peake’s acclaimed performance as Hamlet, the Royal Exchange has earned itself an excellent reputation for staging exciting, enthralling and innovative interpretations of Shakespeare’s work.
The omens for this production of Macbeth were good. Having two women play Duncan and Macbeth offered the opportunity to move women centre stage as warrior queens rather than scheming wives or batty witches.
But, as in the play itself, omens are more often portents of disaster.
Similar stories
GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music
GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
PAUL FOLEY applauds a faultless musical that tells the tragic real-life story of working-class winners of the football pools