MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Lives irrelevant to most people
Instead of Deliverance we are presented with an overlong, flat episode of Friends, writes SIMON PARSONS
UNDERWHELMING: (L to R) Noel Sullivan, Ben Lamb, Kristin Atherton and Christine Gomes
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
How to Survive an Apocalypse
Finborough Theatre
CANADIAN playwright Jordan Hall leans heavily on climate change in her writing and How to Survive an Apocalypse is no different, turning to Survivalism – the skills and requirements of individuals preparing for imminent disasters.
This should be a timely drama with Covid ravaging much of the planet, fuel shortages and a pivotal, world summit on climate change only a month away, but unfortunately the premise is only a lens to observe a series of young, middle-class professionals and their relationship needs.
Jen, an overpowering and self-driven magazine editor, is faced with rebranding her creation from a publication for aspiring young professionals to one engaging with survival skills. Her husband Tim, a failed video game creator who lives his life though digital simulations, cannot compete with the square-chinned, broad-shouldered, arrogant, alpha male brought in as a consultant to oversee the transformation.
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