WILL STONE fact-checks the colourful life of Ozzy Osbourne
Theatre: A Lesson from Aloes, Finborough Theatre London
Athol Fugard's play is an acute reminder of the horrors of apartheid-era South Africa
Frightened people: Dawid Minnar and Janine Ulfane
[Alixandra Fazzina] 
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
THE opening of A Lesson From Aloes lulls you into false sense of security.
Piet and Gladys Benzuidenhouts are having a lazy afternoon in their isolated Port Elizabeth back yard, awaiting a visit from his old friend Steve and his family. There’s talk of sunburn, the resilience of aloes and the significance of names — underlined by a Romeo and Juliet quote — but little more.
Fortunately, when you are in the hands of South Africa’s master dramatist you know you won’t be underwhelmed for long and, slowly, Athol Fugard begins to turn up the heat.
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